Most people have heard of progressive rock (or prog rock, or simply prog) but the great majority of them treat it with mild disdain (at best) or outright hatred (at worst). Most of the criticism is a mindless rejection based on current trends and a misunderstanding of the genre; “dinosaur” is a common term of abuse, neatly parodied by Adrian Belew on King Crimson’s 1994 album Thrak


There is an increasing quantity of literature on the subject, ranging from the analytical or academic (Edward Macan, Rocking the Classics; Kevin Holme-Hudson, Progressive Rock Revisited) to the fairly straightforward lists (Charles Snider, The Strawberry Bricks Guide to Progressive Rock.) There are also thousands of fans out there who not only continue to attend concerts, but also contribute to a growing network of fanzines and on-line forums. Fans are even served by Prog, a glossy magazine from Future Publishing now in its tenth year, entirely devoted to prog in all its forms


The ProgBlog has been put together to encourage discussion about progressive rock music illustrated by personal observation


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ProgBlog DISCovery

The original aim of the blog was to promote discussion about all and any facet of progressive rock but from time to time, bands and musicians contact ProgBlog with new prog-related material that they want to expose to a wider audience; ProgBlog's album of 2017 An Invitation by Amber Foil was one such approach. The DISCovery section has been introduced to better serve the requirements of musicians who contact ProgBlog with the aim of increasing the audience for their music; without music there can be no discussion of music. Discover some new music here

The ProgBlog Diary

A list of recent past, present and future happenings in the prog world

13 - September 2020


UK lockdown restrictions eased - record stores now open


July - August - September acquisitions


Gig reviews: 2020 Porto Antico Prog Fest, Genoa 11/07/20

Melting Clock - Abracadabra Festival, Villa Serra, Comago (GE) 13/9/20


Archive ProgBlog playlists can be found here:







The Latest ProgBlog DISCovery – Daniele Sollo (Italy)


After formally studying bass guitar, Daniele Sollo formed the prog band VisionAir in 1997, contributing to both music and lyrics. VisionAir finally disbanded in 2011 having played a few well-received gigs and made a demo album titled INVISIBLE VISIONS, which was shelved when the band broke up.

Employed as a session musician, he found himself in the Fabio Zuffanti prog circle and played with Höstsonaten from 2016-2018. His first solo album ORDER AND DISORDER was released in 2020.


Read his story here

Porto Antico ProgFest 2020 (15a) Porto Antico ProgFest 2020 (41a) Porto Antico ProgFest 2020 (5a) Abracadabra Festival, Comago, GE 130920 (6) Matt Hancock Album of the year 2020

Album Review: Elias - 1977 (2020)


Elias is the solo project name of Australian musician Carl Belle. Work on what was to become 1977 began in 2003 when Belle realised the pop-rock he’d been playing wasn’t the music he wanted to play. Referencing his original tastes in progressive rock and classical music, he began to write what he called ‘soundtrack rock’, but recording stalled when Belle fell out of love with music. Fortunately, he picked up his guitar again and got round to finishing the album, a mix of modern prog styles, 17 years later. Read the review here

Order and DisOrder - Daniele Sollo 1977 - Elias