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Doing What I Know For God And The Economy (and Independent Record Stores) - posted 6/12/21

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08 August playlist
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11 November playlist
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Archive ProgBlog playlists can be found here:

2015     2017     2018     2019     2020     2021

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00 Cover Prog Calendar
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Z-Fest 2018 poster
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Yes50 ticket
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VdGG The Book
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The Show that never ends
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Tangerine Dream playing Stratosfear
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Southbank David Bedford at 80
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Port Antico ProgFest 2017
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PFM postcard 2
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gentle giant
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GAP records Pisa
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Dave Gilmour -Pompeii vid
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crimson 2000
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BTF
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ABWH live programme
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Melting Clock 090318 (1)
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night watch playback
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ProgBlog

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Most people have heard of progressive rock (or prog rock, or simply prog) but the great majority of them treat it with mild disdain (at best) or outright hatred (at worst). Most of the criticism is a mindless rejection based on current trends and a misunderstanding of the genre; “dinosaur” is a common term of abuse, neatly parodied by Adrian Belew on King Crimson’s 1994 album Thrak.

There is an increasing quantity of literature on the subject, ranging from the analytical or academic (Edward Macan, Rocking the Classics; Kevin Holme-Hudson, Progressive Rock Revisited) to the fairly straightforward lists (Charles Snider, The Strawberry Bricks Guide to Progressive Rock.) There are also thousands of fans out there who not only continue to attend concerts, but also contribute to a growing network of fanzines and on-line forums. Fans are even served by Prog, a glossy magazine from Future Publishing now in its twelfth year, entirely devoted to prog in all its forms.

The ProgBlog has been put together to encourage discussion about progressive rock music illustrated by personal observation.

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Migration work on the ProgBlog website – Update 4/12/21

While the superficial structure of ProgBlog appears unchanged, only a small amount of the information within the pages has been transferred to the new host site.

When ProgBlog was set up in 2014 it was intended to be a medium for opinions and the weekly blog would include album reviews and gig reviews, reflecting what I thought, what I’d bought and where I’d been. It was only towards the end of 2017 when I began to receive requests, initially from musicians themselves, to review their work. This led to the creation of the ProgBlog DISCovery feature and a dedicated review section where I’ve received invaluable help from my good friend Stefano Amadei, whose detailed knowledge of prog metal is presented with a musician’s insight.

None of the blogs, reviews or DISCovery articles has been transferred to the new webhost. It is therefore a priority to reinstate more than seven years of work. Access to the archive material will be hidden during the restoration and curation process. The one benefit of the migration is that the editing tools are more user-friendly and the episode will provide the ideal opportunity to optimise the ProgBlog mobile site.

Posts will continue to appear on Facebook, Instagram and Twitter alongside new material on the website. Please bear with me while this work continues.

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